Thursday, April 24, 2014

51.) Centered April 22, 2014




The penultimate composition.  This week I heard about five seconds of a Morton Feldman piece.  I don't even remember which one it was.  But I immediately felt attracted to the sound of it.  It was a very dense, dissonant chord played by an orchestra at a very soft volume.  I immediately went to the piano and came up with the opening chord of this piece, and then looked for a Messiaen mode that this chord could be derived out of.  At first I decided to use mode seven, but later realized that it also fit into mode two and that every note I wanted to hear next was also in mode two.  Mode two is the good old octatonic scale.  

I take it as a good sign that I'm hearing some of these modes naturally.  My ear is preferring specific modes.   Anyway, after coming up with the melody of the first four measures, I had the idea that this could be constructed into a blues type form, and that's exactly what I did.  I experimented with changing the transposition of mode two for certain measures, but decided that the original transposition was sufficient.  

I'm beginning to feel all sorts of "end of the project" emotions.  Gratitude, relief, sadness.  I'll share more next week after finishing the last piece... that is if I actually can manage to get it done.

Oh, and I hope you enjoy the sound of the dryer in the background of the recording.  I do.  A little ambience never hurts anybody.  

2 comments:

  1. Man, almost a year already!!
    Sounds great, as always. :)

    ReplyDelete
  2. Thanks, Mary. I know... Time flies.

    ReplyDelete